(NOT QUITE) MASTERPIECE THEATRE: Revisiting “Soldier”

soldier-poster

Here at “The Erratic Narrative” we’re embarking on a new (and, as always, erratic and a little sweary) series of posts, entitled ‘(Not Quite) Masterpiece Theatre’, where we will examine a variety of perhaps forgotten, but certainly underappreciated (or just flat out hated) “almost, but not quite” pieces of cinema across the genres. These are movies that, at the time (and possibly still), were treated poorly by critics and audiences alike, but over the years, like a great (or at least drinkable) wine, have stuck like mold to the edge of our tasting glass.

First up, an absolute beauty! I vividly remember watching the VHS tape and thinking: “This one’s a keeper!”. The very definition of a (not quite) masterpiece: SoldierContinue reading

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CONSIDERING…Star Trek Vs (?) Star Wars: why “Star Trek Beyond” reminds us we need the ‘other’ franchise

STB

First up, a confession: I’m pretty much a flat-out, die-hard Star Trek lover. No, I don’t call myself a Trekkie or Trekker (any more than I call myself a ‘Warser’ or a ‘Blakie’), but along with shows like Dr WhoThunderbirds and possibly Space 1999Star Trek (the original series – STTOS, henceforth) was an immensely important formative influence on me personally and (though I hesitate to type it) artistically – arguably as important as the ‘Big One’ for many of my kind and generation, Star Wars: A New Hope. I love that series. And while I don’t mind Next Generation (though I came to it much later), and enjoyed Deep Space 9 and Voyager, it’s STTOS that stands head and shoulders (hell, many body lengths) above all else.

Second, regardless of what follows, remember this: I fully expect Star Trek Beyond (STB) to be a critical (excluding me and others of a similar perspective) and financial failure. Why? Well, it’s flawed in lots of ways, but mostly because it’s the most ‘Star Trek’ of the current Star Trek films (known at the ‘Kelvin’ timeline amongst fans – a reference to the ship that is destroyed in the opening of the first film, resulting in a change to the STTOS timeline), and a necessary return to the tenets that made STTOS different (not better) to Star Wars (SW), especially if the films and new series are to distinguish themselves from the tidal wave of SW movies and shows that are surging toward our shore.

Here’s why: Continue reading

REVISITING… “Buffy the Vampire Slayer”: Dawn, Redux

Buffy the Vampire Slayer (henceforth BTVS) has been ‘family viewing’ for myself, my wife, and my two daughters since it first aired. Back in the days of ‘appointment TV’ we would gather around the television (well, the computer monitor, as I was illegally downloading episodes to keep up – sorry, but I do own all the DVD sets and quite a bit of merchandise, so…). Later, it was the series we would pull out every 2 years or so and watch ‘Best ofs’, or a particular season. Then, maybe 4 years ago, we stopped.

We were sated. We were more than sated, we were oozing BTVS from every pore like a family of overeaters at a buffet breakfast, lunch and dinner. Watching BTVS had become painful and a little sad.

So, when in late 2015 we decided to give it another go, from Season One to Seven, without skipping an episode, we went in tentatively, completely prepared to pull out before the end of “Welcome to the Hellmouth”, pretend nothing had happened, and move along.

However, to our surprise, it was an absolute joy again. Our BTVS hearts were emptier than we realised, and we were indeed ready to have them filled once more. There have been laughs, and tears, and there have been surprises as well, things we never felt even after so many viewings. Chief amongst them was our unexpected love of Dawn. Yup, you heard that right. Dawn. She’s actually pretty great. And before you walk away, shaking your head and muttering, “They’re lost to us.”, let me explain. Continue reading