First up, a confession: I’m pretty much a flat-out, die-hard Star Trek lover. No, I don’t call myself a Trekkie or Trekker (any more than I call myself a ‘Warser’ or a ‘Blakie’), but along with shows like Dr Who, Thunderbirds and possibly Space 1999, Star Trek (the original series – STTOS, henceforth) was an immensely important formative influence on me personally and (though I hesitate to type it) artistically – arguably as important as the ‘Big One’ for many of my kind and generation, Star Wars: A New Hope. I love that series. And while I don’t mind Next Generation (though I came to it much later), and enjoyed Deep Space 9 and Voyager, it’s STTOS that stands head and shoulders (hell, many body lengths) above all else.
Second, regardless of what follows, remember this: I fully expect Star Trek Beyond (STB) to be a critical (excluding me and others of a similar perspective) and financial failure. Why? Well, it’s flawed in lots of ways, but mostly because it’s the most ‘Star Trek’ of the current Star Trek films (known at the ‘Kelvin’ timeline amongst fans – a reference to the ship that is destroyed in the opening of the first film, resulting in a change to the STTOS timeline), and a necessary return to the tenets that made STTOS different (not better) to Star Wars (SW), especially if the films and new series are to distinguish themselves from the tidal wave of SW movies and shows that are surging toward our shore.
Here’s why: Continue reading